Positioned as an upper-budget LCD home-cinema device, the WiMiUS P64 attempts to squeeze premium conveniences into a mid-size chassis: auto focus, 6-axis keystone, Wi-Fi 6 streaming, two-way Bluetooth 5.2, and a fully-sealed optical engine rated for dust resistance. The headline feature set rivals compact DLP portables that cost far more, yet the P64 keeps a sub-US $400 street price. While the catalogue promises near-flagship capability, independent testing shows the projector delivers best results in dark rooms and rewards viewers who treat the marketing as a starting point rather than gospel. In other words, the hardware foundation is sound, but real-world performance rests on sensible expectations and careful setup.
Brightness claims deserve early scrutiny. Retail pages trumpet “600 ANSI lumens” whereas several distributors quietly list “500 ANSI lumens”. Reality-check reviews, including lab-style database entries and hands-on impressions, converge around the lower figure: roughly ≈ 500 ANSI lumens (verified). That output is entirely usable for movie sessions after sunset, producing vibrant 100- to 120-inch images once lights are off. It does, however, wash out quickly under daylight or strong ambient lamps, meaning buyers who want living-room-in-the-afternoon viewing should budget for blackout curtains or a higher-lumen model. The takeaway: advertised brightness overshoots, but honest 500 ANSI remains respectable for night-time cinema and backyard screenings.
Image sharpness is anchored by a native 1080 p LCD panel (confirmed). Unlike faux-4 K pixel-shifting projectors, the P64 simply down-scales any 4 K input, preserving most detail yet outputting at 1920 × 1080. The pixel-level clarity is perfectly adequate up to roughly 120 inches, where individual pixels begin to merge but text remains readable. Colour accuracy out of the box leans toward a cool, slightly oversaturated palette typical of LED light engines; manual RGB tweaks in the service menu can tame blues and restore natural skin tones. The marketing touts a dramatic “20 000:1 dynamic contrast ratio”; empirical LCD measurements hover closer to ≈ 500:1 native, meaning blacks look dark-grey in light scenes but hold up decently in a blackout environment. Viewers chasing OLED-style depth will be disappointed; casual movie fans often judge contrast “good enough” once the room is darkened.
Set-up speed is a headline selling point, thanks to the combo of automatic focus and omni-directional keystone that adjusts vertically and horizontally up to ±50°. The lens motors lock focus within two seconds on power-up, but verified reports warn that corner softness can linger on screens larger than 80 inches, occasionally requiring a tap of the manual-focus rocker for edge refinement. The six-axis keystone straightens severe angles—a rare extra at this price—yet perfectionists will notice slight geometry warping after aggressive corrections; the crispest picture still comes from centring the lens on screen and reserving keystone for fine trimming. All adjustments occur in firmware, so extreme values inevitably subtract a sliver of resolution—an unavoidable trade-off for placement freedom.
Connectivity covers both modern and legacy needs. Dual HDMI 2.0 ports, twin USB-A, composite AV, and a 3.5 mm audio jack handle disc players, consoles, and thumb-drive media. Over the air, the integrated Wi-Fi 6 module sustains smooth screen mirroring and 4 K YouTube feeds, but mainstream subscription apps wrapped in HDCP (Netflix, Disney+, HBO Max) must route through an external streaming stick because the projector’s built-in Miracast lacks full copy-protection handshakes. The two-way Bluetooth 5.2 radio lets the unit act as either source or sink—pair a soundbar for bigger audio or stream phone playlists directly through its internal speakers. Practical testing shows the radios remain stable up to 10 metres with only occasional buffering spikes on congested networks.
Audio arrives via dual 6-watt drivers (12 W total, advertised and measured) firing rearward. Volume reaches 85 dB at one metre—ample for an apartment—but tonal balance lacks bass heft, nudging owners toward external speakers for impact-laden action films. Ironically, external sound also masks the unit’s biggest vice: fan noise. Seller Q&A quotes “48 dB at one metre”; subjective reports call it “very loud” or “hair-dryer-like” in quiet scenes. Ceiling mounting behind the seating position attenuates the whine, and eco-brightness mode shaves a few decibels, yet it remains noticeable in silent dramas. Prospective buyers sensitive to high-pitch fans should audition first or budget for a hushed DLP alternative.
Placement flexibility stems from an inferred ≈ 1.65:1 throw ratio (manual-derived) and screen-size support from ≈ 40 inches up to a marketed 300 inches. Reality says the sweet spot lies between 80 and 120 inches: large enough for immersion, small enough to stay bright. At a 100-inch diagonal, the projector sits roughly 2.8 metres from the wall, allowing living rooms to double as theatres without furniture rearrangement. A digital 50 % zoom helps micro-adjust framing but merely crops the picture; resolution sacrifice is mild for small trims yet obvious when zooming to the 50 % floor. Absent lens shift, vertical alignment depends on tripod height or mount adjustment—typical for this class but worth noting during installation planning.
Durability messaging focuses on the sealed optical engine, designed to keep dust off the LCD sandwich and lens elements for the lifetime of the light source. Such construction genuinely reduces “dust blobs”, a plague of older budget models, and early adopters report clean panels many months in. Advertised “LED life of 200 000 hours” borders on fantasy; mainstream white LEDs lose half their brightness around 20–30 k hours. Nevertheless, even a conservative 25 k-hour expectancy equates to five hours of nightly use for thirteen years—far outliving typical ownership cycles. Mechanical elements (focus motors, fan) will likely define end-of-life sooner than the LEDs.
Everyday usability benefits from a flush touch-panel for power and volume, while the bundled IR remote offers back-lit keys and dedicated keystone shortcuts. Menu navigation is responsive, thanks to a lightweight Linux-based interface rather than full Android; the absence of pre-installed app bloat shortens boot time to fifteen seconds. Firmware can be updated offline via USB—a process documented clearly in the user manual—enabling bug fixes such as improved autofocus accuracy rolled out in early-2025. WiMiUS supplements the hardware with an above-average three-year repair warranty and 24/7 email support, an insurance few competitors match at the price.
In summary, the P64 stakes its reputation on feature density: native 1080 p resolution, auto-alignment conveniences, Wi-Fi 6 casting, and sealed optics rare under US ~. Verified brightness sits at 500 ANSI lumens—modest yet serviceable—while contrast and fan noise underline its budget lineage. Owners willing to watch in a darkened environment, accept external streaming for DRM services, and temper keystone expectations discover a competent, fuss-light projector that outpaces most entry-level minis. Conversely, shoppers seeking genuine daytime punch, silent operation, or precision optical zoom should treat the P64 as a stepping-stone and consider brighter DLP or 3-LCD alternatives once budget allows. Ultimately, the P64 excels as an affordable gateway to large-screen entertainment when its advertised superlatives are filtered through real-world evidence.
